记不清从啥时候开始了，凡是稍微高大上点的相机一定把宣传重点放在视频性能上。视频也成了可换镜头相机能维持市场占有率唯一的确定性因素。现在的相机若不带个至少4K视频的拍摄功能，基本就没法卖了。

像什么Panasonic的S1H作为相机还被“奈飞”认证为可用于奈飞实操的“摄影机”（可以说作为相机开创了被奈飞认证的先河）。

感动的EOS R5在没开售的时候，8K拍摄的牛-pi-PPT已经预热满天飞。

一向只把重点放在拍照上的鞋厂在惨淡历经多年之后，终于迎来了Z9这个方块的视频砖头，一下子把鞋厂之前几乎根本不提视频功能的方块机，向左后方来了个270度的大大转弯：8K-RAW-60p！

可那么多的所谓视频相机，呵呵到头来真的在专业租赁市场上真正被认可的依旧只有SONY a7s III。其它的所谓拍视频的相机都是扯，也就是屌丝口里的谈资，到论坛上来吹吹牛逼而已

英国Televisual公布每年的各大专业视频租赁商手中的租赁设备受欢迎程度的排行总表。Televisual是视频租赁统计※※最长的排行榜，迄今超过15年了。最新一期的最受欢迎的专业视频拍摄设备租赁榜发布于2022年5月。

可以看到ARRI 和 SONY依然是视频租赁市场的宠儿。而与一众正儿八经的摄影机一同有资格位列租赁帮的相机只有SONY a7s III。其它的连影儿都找不到。

https://www.televisual.com/news/the-top-10-rental-cameras-full-report/

01- ARRI ALEXA MINI

Average Day Rate ?453

Top 5 hire from
Dynamic Rentals; Films at 59; Film Store; The Kit Room; New Day; No Drama; Procam Take 2; Pro Motion; ProVision; S+O; Shoot Blue; Video Europe; VMI

Hired for
Warner Music UK – Rod Stewart Sailing for Americas Cup, BBC – Big Weekend, CC Lab / Sky Arts – Noel Gallagher Out Of The Now (Film Store); Great British Architects, various promos (New Day); Married At First Sight S6, Jamie Oliver: Together, The Emily Atack Show S2 (S+O); Inside Number 9 – BBC), Henry VIII (Blakeway Productions for Channel 5 (VMI); Commercials, music videos (Pro Motion); UK terrestrial (Films at 59); The Bay, Happy Valley 3, Vera, The Reckoning, The Tower, Ackley Bridge 5 (ProVision); Various Commercials for The Gate, Chief, LS Productions, Boohoo, Sky Creative, All Creatures Great & Small (Channel 5/ Playground TV), StoneHouse, BBC Alba Triuir, STAD for Cwmni Da, The Confessions of Frannie Langton (No Drama)

It’s another year in the number one spot for the original Arri Alexa Mini in our poll of the most popular pro cameras in the rental market.
Despite its continued popularity, the camera that was first introduced way back in 2015 will be discontinued by Arri this year. Arri is now to focus on the Alexa Mini LF as its offering for large format productions with the upcoming ARRI S35 4K camera aimed at Super 35 productions. Despite it leaving the factory lines, the original Mini will surely be a rental favourite for a good few years yet.
As Shoot Blue says, “the ARRI Alexa Mini has continued its reign as our best performing camera model overall. Despite its age, it’s still very much in demand for short form projects such as commercials and branded content. Given how popular the Mini still is, it’s been a great ROI for rental houses who have invested in this camera.”
VMI similarly expects “the ARRI Alexa Mini to continue its dominance in the UK production industry as it continues to be the go-to camera for the majority of drama and commercials productions until the next ARRI camera lands later this year.”
The near seven-year-old Mini suffers for its lack of true 4K capture, and this “limits its appeal for platforms such as the Netflix and Amazon,” says Shoot Blue. But despite this, the Mini has “continued to be a workhorse,” says No Drama. “less so on high end commercials; Mini LF has established itself there with Venice following closely behind but, on run of the mill TVCs, television drama and low budget features, it’s still a very popular and capable choice.”
Provision predicts that the Mini “will probably have another year at the top of the list” because “although native 4k and Full Frame requirements are more popular than a year ago, they’re still not the majority.”

02 Sony FX9

Average Day Rate ?251

Top 5 hire from Alias Hire; Bluefin; Film Store; The Kit Room; New Day; Pro Motion; ProVision; S+O; Shoot Blue; Video Europe; VI Rental

Hired for The Real Manhunter – Sky (Bluefin); UEFA Euro 2020, BBC Comic Relief, Transistor/Netflix – I am a Killer (Film Store); NHS Ad, Rugby World Cup, Tennis (New Day); Outsiders, Celebs Go Dating S10 (S+O); C4, BBC, ITV (VI Rental); Ambulance, Earth Storm (Pro Motion); Live + Wild, Dubai Hustle (ProVision)

Sony’s FX9 makes another step up the top ten list from third last time to second.
As Bluefin says, the camera “ticks a lot of boxes.” While New Day notes that the FX9 now “seems to be the commercial/promo field camera of choice.” And its popularity could grow: “with the easing of Covid restrictions I would hope doc/daytime/reality type programmes will come back thus driving the Sony FX6/FX9 rentals,” says Films at 59. S+O also predicts the camera wil gather pace “as clients and self-shooters alike realise the advantages brought by their auto-focus functionally on native E mount lenses — especially when shooting in Full Frame mode.” Film Store Rental says the FX9 is now “far and away the most popular camera across the entertainment and reality docu sectors.” The Kit Room says the camera has been an “instant hit with clients who are already familiar with FS7s.”

03 ARRI ALEXA MINI LF

Average Day Rate ?897

Top 5 hire from Dynamic Rentals; Films at 59; No Drama; Procam Take 2; ProVision; S+O; Shoot Blue; Video Europe

Hired for This Is Going To Hurt, BBC Natural History, Walk The Line (S+O), streamers (Films at 59); Waterloo Road, The Wedding Season (ProVision); Various commercials for The Gate, Chief, LS Productions, Sugar Free TV, Tanami, Greenroom, Agile, Sky. Dramas – Cobra/ Sky, Ridley, Ralph & Katie/ITV (No Drama)

Arri’s Mini LF climbs up the top ten pro rental cameras list from sixth place to third this time. It sits alongside its rival, the Sony Venice (closely following in fourth spot) but both cameras “simply dominated the high-end global market in 2021,” says Dynamic Rental. “We had over 200 of them on rental and NEVER had enough.” ProVision says that “the Venice and Mini LF have both been busy in the drama market, the latter appearing to very much be the DoP’s camera of choice and appearing on many camera wish-lists. 2022 may be the last of the Alexa Mini proving our busiest camera, with the Alexa Mini LF looking like the most obvious successor.” No Drama says it has “seen the MiniLF become our go-to choice for high-end TV commercials and, in the latter part of the year, match Venice for popularity on dramas, only ever really stifled by budget where the Venice is as capable a camera – more so in many ways – but a more budget friendly choice.”

04 SONY VENICE

Average Day Rate ?701

Top 5 hire from Dynamic Rentals; Films at 59; Film Store; No Drama; Procam Take 2; ProVision; Shoot Blue; Video Europe

Hired for Warner / Disney+ project (Film Store); Sumotherhood (Shoot Blue); Terrestrial and streamers (Films at 59); Emily – Feature, TAPK – Feature), Hullraisers, Reassigned -Feature (ProVision); Stay Close/Red Prods & Netflix, Red Rose/ Eleven Film, Gentleman Jack/Lookout Point, Crime/Britbox (No Drama)

Up from fifth to fourth in the pro rental camera poll is the Sony Venice, just behind its rival the Alexa Mini LF. VMI says the Venice “has become incredibly popular” now and, “whilst the ARRI LF is now much more popular than before, the Sony Venice has become a really important camera for 4K drama/feature work.” And, alongside the Mini LF, ticks the streaming platform boxes. As Procam Take 2 says “The Sony Venice meets all the requirements of the streaming platforms and more.” And not just for drama. “The Sony Venice is quickly becoming the go-to system for big budget documentaries commissioned by the top streaming services for their original content,” says Film Store Rental. The question now is, what will happen to the Venice once its new sibling hits the market. “It will be interesting to see what the demand for the Sony VENICE is like once we start to see the Sony VENICE 2 being readily available,” says Video Europe.

05 SONY FX6

Average Day Rate ?166

Top 5 hire from Film Store; Hireacamera; The Kit Room; New Day, ProVision; S+O, Shoot Blue; VI Rental; VMI

Hired for Peckham’s Finest, The Repair shop (Film Store); promos (New Day); Celebs Go Dating (S+O); BBC, C4 (VI Rental); Dodger – BBC, LadBible, Let’s Talk about Me doc, Brackish Productions; GM, Plimsoll (VMI); Geordie Hospital, Firefighters, Code Blue, Dubai Hustle, Family Diaries 2 (ProVision)

06 SONY FS7

Average Day Rate ?138

Top 5 hire from Alias Hire; Bluefin; Run Hire; Pro Motion; VI Rental

Hired for World’s Most Expensive Christmas Cruise – ITNP (Alias Hire); BBC Hardtalk (Bluefin); Prue’s Great Garden Plot, Hornby: A Model World, Secrets of the Imperial War Museum (Run Hire); C4, BBC, ITV (VI Rental); First Dates Teens, Escape to the Country, Police After Dark (Pro Motion)

07 SONY FS7 MKII

Average Day Rate ?151

Top 5 hire from Alias Hire, The Kit Room; New Day; Run Hire; VMI

Hired for Sports Promos (New Day); Gregg Wallace’s Magical Christmas Market, Gregg Wallace’s Grand Christmas Adventure (Run Hire); Enslaved (Cornelia Street Productions for Epix and CBC – BBC2 (VMI)

08 RED GEMINI

Average Day Rate ?433

Top 5 hire from Films at 59; Pro Motion; VI Rental

Hired for Apple TV , Netflix, BBC, Nat Geo (VI Rental); Welcome to Earth, Commercials, MoCo (Pro Motion); Natural History for terrestrial and streamers (Films at 59)

09 CANON C300 MKII

Average Day Rate ?170

Top 5 hire from Alias Hire; VI Rental; VMI

Hired for Morris Men – Film (Alias Hire); C4, BBC, ITV , AppleTV (VI Rental); Umpteen documentaries… (VMI)

10 SONY A7S MKIII

Average Day Rate ?100

Top 5 hire from Bluefin; Hireacamera; New day; Run Hire

Hired for Science promo, car ad (New Day); Benefit Cosmetic commercial, Hornby: A Model World (Run Hire)

你这次说了点正常

A7M4的4K60P果冻仍然比较厉害

请问索尼股东，知道A7S4的规划消息吗

另，能不能给索尼做点思想工作，支持外录Braw ? 尼康松下等都能用BMD录机录BRAW，只有你索尼和阿童木达成所谓战略伙计？

人家PRAW/BRAW都能录，索尼脑子怎么想的？

达芬奇整体优势也比FCPX好用 本帖最后由 师愚 于 2022-6-13 11:44 编辑

良心话，索尼的视频机支持slog3，还有一个主要的就是支持H.264，对于后期剪辑编辑相当友好，对焦镜头生态都是很大的优势，不吹不黑。

这个版块不就是讨论器材吗，讨论照片在其它版块吧。

器材论坛还不能说器材硬件？你有木有走错论坛？

真正的股东当然是索尼什么最好就买什么

很好奇你用的啥相机，拍的照片或者视频能发出来学习下吗？关于相机的技术提问见不到有人热心回复，鼓噪硬件一个比一个能说，论坛这是怎么了？
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