呵呵，这个算最省力气的办法了。林记的机器都有个特点，必须按照顺序来进行折叠。

占个位置.
特艺45,
特艺23,
617.

进来凑个热闹。
林5，47到600的头，专烧风景。

俺玩卡丹4X5也7,8年了，最省事得方法是将皮腔取下来再折叠，带皮腔折叠即使是高手也要小心翼翼鼓捣半天，对皮腔寿命也有很大影响。建议外出分开储运。

凑热闹来了，挤进来学习学习。林家五型特艺两台；施乃德80mm 林头150mm 仙头210mm   300mm

关注，有几台林MM。

凑热闹，挤进来学习学习。林家四型；施乃德90mm；180mm；富士龙150mm；300mm.

一位叫Brian Ellis的国外朋友，对卡丹的评价，就是因为折叠打开不方便，受不了了，卖了！
希望能有高手指点，我觉得卡丹机在设计上还不至于低级到这种程度，关键还是正确的使用方法和技巧。
盼高手指点。

What I liked
(1) the bellows is about 20" as I recall and is more than adequate for any normal lens up to about 400mm with movements or even longer with a telephoto. This was important to me because I tend to use longer than normal lenses. (2) As would be expected from Linhof, the camera was beautifully made, everything fitted perfectly, when movements were locked they stayed locked without any play, all movements were smooth, and for anyone who appreciates precision-made machinery, the camera was a pleasure to hold and use. (3) There is an extensive (but extremely expensive) line of accessories available for almost any conceivable need - as far as I know, the accessories for the Technika line are all usable with the Technikardan. (4) Somewhat unusually for a "field" camera, the camera had bubble levels and all movements were marked in degrees or milimeters, making it easy to be sure that (for example) the front and rear standards were parallel if both were swung or tilted (assuming, of course, that you wanted them to be parallel) or that the camera was level. I did find that, for me, extensive movements were not as important as I thought they would be because I ended up using the camera mostly for landscape work. Nevertheless, they were nice to have on the few occasions when I needed them.
What I disliked
(1) For me, the single overwhelming disadvantage, and the one the ultimately led me to sell the camera, was the method of folding and unfolding it. The camera standards and bellows are fitted into a three-section telescoping monorail along which the standards slide. When the camera is closed for transporting in a bag or backpack, the monorail is telescoped into a single section and the front and back standards (with the bellows in between them of course) are rotated on the monorail so that they eventually become parallel with it, thus significantly reducing the overall bulk of the camera and making it relatively easy to fit into a bag or backpack. In order to open the camera for use, the standards slide from the back of the monorail to the front (a distance of perhaps eight inches or so) by turning a small knob on the right side of the camera approximately ten or twelve full turns. As the standards approach the front of the monorail they begin turning simultaneously and eventually they (and the bellows) end up at a 90 degree angle to the monorail with the help of your hands and the camera is in a position to be used. To close the camera, the reverse procedure is followed (i.e. the standards slide to the rear of the monorail by turning the small knob and they simultaneously turn back to a point that, with some assistance from your hands, they hopefully are again parallel with the monorail and the camera will then fit into your bag or backpack.
There are two problems with this system. The most significant is that, for me at least, it was extremely difficult to keep the two standards exactly parallel to each other throughout the closing procedure so that the camera could be closed without pinching the bellows (keep in mind that, when closed, the front and rear standards are no more than an inch or so apart and there is a 20" bellows folded up in between them so that the fit is very tight). Although I occasionally could close the camera without pinching the bellows, this was rare and most of the time the bellows was pinched and wrinkled to some degree. After doing this often enough, the bellows begins sagging and eventually (about six months after acquiring it and using it perhaps twenty times) the camera became unusable because the numerous wrinkles caused the bellows to sag so much that it interfered with the space between the lens and the film.

A new Linhof bellows costs over $500 so replacing it every six months or so is prohibitive (at least for me). I had a new bellows made (by a company called Flexible Products in Largo, Florida) at a cost of about $250. In order to make sure that the new bellows didn't suffer the fate of the original bellows, I began removing it from the camera when storing the camera and putting it back on each time I was photographing. This actually was not too bad a system because the bellows is easy to remove and install but it meant that when in the field I had to leave the camera on the tripod and carry the camera and tripod over my shoulder, which I didn't like if I was walking any distance.

The scond disadvantage of the above system is that it is very time-consuming and tedious to open and close the camera. I never put a stop watch on it but I would guess that it took something on the order of a minute or two because so much care has to be exercised in an effort to avoid wrinkling the bellows. I also learned the down-side of having so many movements - each movement must, of course, be zeroed before folding the camera, which meant checking something like eight or so different things to make sure that everything had been returned to zero before beginning to close the camera. This is obviously not a "fault" of the camera but it did add to the time necessary to close the camera.

Another, far less significant, disdvantage for me was the fact that swings of the front and rear standards, as well as fine focusing with the front standard, are controlled by four levers, two on each side of the camera, and each of the two sets of levers is very close together. On one side the two levers are unlocked (i.e. the function they controlled can be performed) if the appropriate lever is moved forward and on the other side the two levers are unlocked if the levers are moved backwards. Each of the four levers has identical plastic covers on the ends, so that you couldn't tell by feel alone which lever you were moving forwards or backwards, which sometimes meant that if, for example, you wanted to swing the front standard, you had to come out from underneath the dark cloth to see which lever needed to be moved and which direction it needed to be moved in. If the camera was used on a frequent basis this might have become second nature but using it once a week or less, as I did, made it quite aggravating. If I hadn't sold the camera, I would have tried to devise some system of distinguishing among the four levers by feel so that I could perform the desired functions while viewing the effect on the groundglass, without first having to come out from under the dark cloth to see which lever need to be moved and which direction it needed to be moved in.

Two other minor complaints - the ground glass that comes with the camera (or at least that came with my camera - I did purchase it used) is in my opinion useless. It doesn't even have a fresnel lens so that the scene as viewed in the ground glass consists of a "hot spot" in the center of the glass, that gradually tapers off into complete darkness near the edges of the ground glass. This problem was solved by the purchase of a Bosscreen (at a cost of another $150). The other minor problem is that, because the camera doesn't fold into a "clam shell" like most field cameras, it is somewhat unwieldy to pick up and handle (for example, when putting it on the tripod). I ended up usually just grabbing one of the "L" standards because that was about the only thing you could grab onto. Again, not a big deal by itself but another small aggravation.

加我一个，我在青岛。刚进了一台卡丹4*5。不过，对机器还不熟悉，折叠的时候怎么那么费劲？
上网看了一下，国内的朋友对卡丹机器很少有使用方面的评价，二手卖器材的居多。倒是国外的朋友实在的评价不少，其中一位朋友就是因为这卡丹机折叠和打开太费劲，且对皮腔损害较大，一气之下，卖了！
有高手的话，能否指点一下，有什么技巧没有？
多谢了，大幅方面的新手。

刚来，我是卡丹S45，有好事通知一下，

欢迎山雨的加入。片子颇具功底，高人也。

90头

林2000 头几个

135底片扫描效果

一张15年前的老底片

本次免费为影友扫描活动使用的器材，哈苏X1扫描仪

该片的100%截图效果

呵呵，谢谢大家关注，现在有一个长期的活动就是每周三为大家提供免费的底片扫描活动，大家可以在周2的时候电话联系一下，确定活动有无取消。如无特殊情况，每周三是定时举办的。

这是今天为影友扫描的67篇幅的底片

偶抱着林MM参加

有活动通知一声.使用3000

严重支持!

支持！

[2008-07-22 01:20 补充如下]

林好夫57   617   加入！

刚开贴就想让人家封贴，没风度吧

有服务就不会关贴。

等着看,不要因为大牌就不关贴.

支持！
我是MASTER 的用户。

2008年1月1日，香港石利洛公司将成为Linhof（林可夫）产品的中国（台湾省除外）唯一独家总代理，时间已经过了半年，目前Linhof（林可夫）全系产品销售接近完成08年的全年计划，在此向Linhof（林可夫）的广大的用户和关注Linhof（林可夫）产品的影友致谢。在今后的时间里我们将一如既往的为广大影友提供咨询服务和技术支持。

在此借色影无忌论坛，准备成立林可夫大画幅俱乐部，为广大Linhof（林可夫）用户提供提供咨询服务和技术支持以及摄影交流等服务。希望广大影友支持。