不知你用的是不是这只镜头？这只镜头就是原来所说的“小小白”前身！

[鱼肚白1 编辑于 2011-11-05 13:57]

补充一点，所有有Marco标记的镜头只是说有Marco功能，提供多一种玩法，要玩好微距，还是要上真正的微距镜头

上张非Marco的片子，210端，缩了点光圈

85端微距

鱼兄，此镜头是有Marco的，在210端

记得曾看到篇文章讲微距，4个重点：光圈、灯光、距离、稳定，所以最合适的微距焦段在100（太近，虫虫飞了，太远，效果不好），这就是百微的※※之一，然后70-210最锐的光圈在F8，遗憾我还没机会试，每次都忘记调整光圈了，有机会要试试！

Zunlei师兄也上片一起探讨嘛

先上个210微距的，后上个85微距的，我没买百微（Exif信息你可以看图片）

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此镜头没有微距啊！    最近对焦距离可能是1.2米，放大倍率记不清了，有时照片拍不清楚大部分是手抖造成的，最好用三脚架！

我还有张更虚的，觉得有种朦脓的美，所以后期干脆再虚化和柔光一点

拍出来的照片，和1371楼发的图一样，有点虚。

我也有这款镜头，二手的，还不错！
就是拍出微距照片，发现焦点都没对上，问下，鱼兄，微距怎么拍才好呢？

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同感！   这只镜头性价比还是挺高的！

确实如此！

同感！俺曾经用这个头的70端与24-70L的70端做过对比拍摄，在f5.6,8的光圈时，锐度居然不相伯仲！

鱼兄，查到点70-210的资料，此头各焦段在F8时效果最好，锐度得分最高的焦段在70端，在70，F8时，分数高达86

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难得找到1张看得过去的

红花绿叶，水珠晶莹剔透

放大100%后，发现可用的片子就太少了，突然有点想把自己之前的片子都删掉的冲动......

蝶恋花，老片子重新裁切、构图

百微也是重型武器啊.....

最近读书学习了，老是奇怪其他师兄怎么可以将微距拍得这么好，现在才明白是三脚架+灯光+奇门兵器，汗自己一个..........

终于可以上图了....

再来一段吧，也提醒自己要常到这个贴子里看看

FARTing

I take my best pictures when I FART first.

FARTing helps us remember to make a strong, meaningful photo instead of just snapping away and winding up with a lot of boring, thoughtless snapshots.

FART is a mnemonic for a creative process.



F: Feel

A good photo starts when you get the feeling to take a picture. You're walking around, and come across something that seems worthy of a photo.

Bad photographers just take a picture at this point.

Maybe they get something, but often they don't, because they haven't identified what it is exactly that caught their eye. These images expect the viewer to figure it out, and guess what: viewers won't bother. They just move on to the next shot.

It's never a subject, like "a Ferrari." What catches our mind's eye and leads to a great photo is always something more abstract. What attracts us to Ferraris as photo subjects is their bold, solid, primary colors and their brilliantly pure styling.



A: Ask

Once you've got a hankering to stop and take a picture, stop and ask yourself exactly what it is that made you stop.

Is it a bold color? Is it a crazy juxtaposition? Is it the wild light? What is it, exactly, that made you want to take a picture?

Is it the brilliant Italian design, lines, motion and proportion of the Ferrari? If so, what exactly about the design caught your eye?



R: Refine

Now that you have hopefully gotten some sort of clue as to what it is that attracted your eye, the hard part is to refine the image to emphasize whatever it is.

If we can emphasize whatever it was that stopped us, the photo will be far more likely to stop others and make them say WOW!

In other words, if we liked something, was it because it had a weird texture? If so, be sure to show that texture as boldly as you can.

If you like the color of something, don't be a wimp: fill the whole frame with it.

If there is an interesting relationship between two things, be sure to do everything you can to make sure that that is what takes over the photo.

Get rid of everything that isn't directly related to whatever it is that made you want to take the photo.

Compose as strongly as you can. Eliminate everything that isn't directly related to the point of the photograph.

In the case of a Ferrari, if you don't FART before snapping, you're likely to make another boring photo of the whole car from eye level.

If you FART first, you'll ask yourself what is it about the Ferrari that catches your eye, and when you can Answer that, maybe wind up with a close-up of those big round Hella tail lights, or maybe realize that it was the redhead driving it, and instead, head out to lunch with her and save the photo shoot for later.

It's never about the obvious subject. It's always something more basic and subconscious that draws us to want to make a picture of something.

You always can refine more and more, and as you do, your photos become stronger. If it was the redhead that caught your eye, what exactly about her caught your eye? If it was her hair, what exactly about her hair grabbed you?

The better you can Answer and keep Refining this, the more your photos will grab people, be they you, your friends and family, contest judges or photo and art buyers.



T: Take

This is the easy part. Take the picture.

Be sure the exposure and color (WB) are OK, and you're done.



Reprise

If you forget to FART first, as most people do, your photos will usually be boring.

FART first, and you'll make better pictures.

Forgetting to Ask yourself "why am I taking this picture" is the leading cause getting our pictures back, and having to ask ourselves "what was I thinking?"

Because we forget to ask ourselves before we take a photo, all we get are boring snapshots, regardless of how fancy our camera or how involved our techniques.

Ask yourself first, do your best to Refine and simplify your image, and when you Take it, you should never have to ask yourself later "what was I thinking?" You'll get much better images because you were thinking.

在网站上看到这段话，觉得很有道理，不知道这样跟泡无忌有没有冲突，呵呵呵....

Always ask how to do something with what you already have. Never talk to a camera store or a photo hobbyist, whose answer will always be to buy more equipment. To these guys, buying more gear is an easy way to kick the problem down the road like a politician, and never address the core issue, which is how to take a great picture.

鱼兄，似乎宽幅表现宽广感觉要好些，所以第一幅更耐看，个见啊.......

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