★★★无忌深圳南山摄影俱乐部★★★(二十一)
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[1636 楼] 亚瑟李
[资深泡菜]
13-9-20 09:40
Photos by Margherita Vitagliano - From Italy, Avellino
------------------------------------------------------------------------ Interlacements of life      |
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[1635 楼] 亚瑟李
[资深泡菜]
13-9-20 09:24
Photos by Vernon Trent - From somewhere behind the rainbow..., Germany
----------------------------------------------------------------------------------------- <<-- arrows -->> lights formed with blinds and a mirror to the earring.  out of the box, available moonlight thru roof window. 1 sec exposure time.  full frame, out of the box. one light with golden reflector from right.the processing here is a tritone processing, sepia, light chalk yellow and dark brown. all used in a channel mixer layer.some of you may think that the lights on the skin are blown out. there is some structure, just for the web version. the final version is a print, 30x40 cm on hahnemühle photorag fine art paper. the structure of the paper gives the last finish to that picture.I hope you'll like it.   and you don't have to see just keep it in your heart and if it takes you far it's a start... --- carina ina janine greiner-kaiser   from the moonchild series   model: Linda Black related shot   changes come, turn my world around bring the whole thing down somedays I think that maybe this ol' world's too fucked up the light, the dark both running through me is there still redemption for anyone  a composite in "sin city" look. components: car from switzerland 2 background images from portugal myself in studio enjoy :-) tutorial can be found here  chevrolet bel air  |
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[1634 楼] 亚瑟李
[资深泡菜]
13-9-20 09:04
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Thirty-One Nights - Veracruz - Nicholas Gunn ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 大家看到了吧,玩灯是光比的艺术!,不论什么题材的棚拍,光比玩得游刃有余作品才能赏心悦目,啥啥"平光,散射光,无痕用光"那只是在搞照明,都是掩盖自己玩灯不识用光的美丽托辞,我呸~~,哈哈~~早晨各位!. |
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[1633 楼] 亚瑟李
[资深泡菜]
13-9-20 08:47
Photos by Vernon Trent - From somewhere behind the rainbow..., Germany
the charlady was here and VT has left the building on Feb. 1st 2009. take care, see you on the other side. VT ----------------------------------------------------------------------------------------- ... prisoner of a dream another portrait of myself :-)  myself :-)  the self was taken in studio, using a blue-screen environment. the surroundings were created/rendered with cinema4d and mixed in photoshop. some volumetric lights, shadows and a quad-toning layer. size 100x130 cm.p.s.the images in the window behind me are here:  the bridge over rio douro, porto.  another shot from the "super seven shooting"   detail of k&n filter on weber carburator. jesus, what a sound!!!!  from yesterday shooting for the cologne super seven club.    |
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[1632 楼] 亚瑟李
[资深泡菜]
13-9-20 08:30
Photos by Willy Marthinussen - From Norway
Professional artist. Fine art painter and photographer. Willy Marthinussen --------------------------------------------------------------------------- Mother and child..  |
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[1631 楼] 亚瑟李
[资深泡菜]
13-9-20 08:23
Photos by stefano longhi - From Italy-Milano
Hello to all The Photography has always helped me to "see where to look." It 'a school to try to understand and know our neighbour and the world in which we live. Ernst Haas said: "There are two major breeds of photographers: those that produce images, and those that capture. The first have their study ... For the second, their study is the world ". I belong to the second category. ciao :-) stefano longhi ------------------------------------------------------------- Faces    |
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[1630 楼] 亚瑟李
[资深泡菜]
13-9-20 08:17
Photos by Geert Deleu - From Ternat, Belgium
"The subject is of no importance; its as if Im trying to find a language, even though I may have nothing to say..." In the early 80s, I had an Olympus OM-2 to assist me in obtaining a MFA-degree, specializing in graphic design. Those were the days of developing film and printing in my own dark room. Working as a graphic designer, I gave up photography for almost 20 years, until I recently rediscovered the medium of digital photography. Now, Im just having fun shooting. Geert Deleu ---------------------------------------------------------------------------------------- Room with a view Location：Vianden Castle, Luxemburg Equipment used：Olympus E-500  Location：Monschau, Germany Equipment used：Olympus E-520, Zuiko 14-45  Location：Belgium Equipment used：Olympus E-520  |
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[1629 楼] 亚瑟李
[资深泡菜]
13-9-20 08:12
Photos by Ricky Santana - From Indonesia, Sengata
---------------------------------------------------------------------------------- Your Sight Location：Kalimantan Equipment used：Canon 40D, 55-250 IS  |
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[1628 楼] 亚瑟李
[资深泡菜]
13-9-20 08:09
Photos by JuttaM. - From , Germany
----------------------------------------------------------- MACBA  |
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[1627 楼] 亚瑟李
[资深泡菜]
13-9-20 00:15
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《Shostakovich Edition: Symphonies, Concertos, Suites, String Quartets, Chamber Music》 - Dmitri Shostakovich: The Gadfly, suite from the film score, Op. 97a (Assembled by Atovmyan) - 8. Romance - Dmitri Shostakovich(National Symphony Orchestra of Ukraine;Theodore Kuchar) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 遥祝各位中秋愉快,阖家安康,晚安再会!. |
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[1626 楼] 亚瑟李
[资深泡菜]
13-9-20 00:07
Photos by Aldo Cicelyn - From Italy
---------------------------------------------------------- on the indian road Equipment used： Nikon D70 Nikkor af 80-200 f2,8  Location：Pozzuoli (Naples) Equipment used： nikon d3 Nokkor zoom 70-200 vr af 2,8  Location：Ventotene (Italy) Equipment used： Nikon D200 , 70-200 f2,8 VR Nikon  |
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[1625 楼] 亚瑟李
[资深泡菜]
13-9-19 15:04
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《Shostakovich Edition: Symphonies, Concertos, Suites, String Quartets, Chamber Music》 - Dmitri Shostakovich: The Gadfly, suite from the film score, Op. 97a (Assembled by Atovmyan) - 8. Romance - Dmitri Shostakovich(National Symphony Orchestra of Ukraine;Theodore Kuchar) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ------------------------ The end ----------------------------谢谢收看!. |
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[1624 楼] 亚瑟李
[资深泡菜]
13-9-19 14:45
Photo by Prokudin-Gorskii (1863-1944) - From Moscow, Russia
------------------------------------------------------------------------------------------------ Agricultural Fields Near Samarkand The city of Samarkand was surrounded by oases and agricultural regions that supported the urban population. Traditional food crops grown on fields such as these included melons, wheat, beans, rice, and barley.   |
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[1623 楼] 亚瑟李
[资深泡菜]
13-9-19 14:41
Photo by Prokudin-Gorskii (1863-1944) - From Moscow, Russia
------------------------------------------------------------------------------------------------ Bashkir Switchman on the Trans-Siberian A Bashkir switch operator poses by the mainline of the railroad, near the town of Ust’ Katav on the Yuryuzan River between Ufa and Cheliabinsk in the Ural Mountain region of European Russia.  Wooden mills using wind-power to grind wheat and rye are photographed in the middle of summer on the vast Siberian plain in rural Ialutorovsk county in Western Siberia.  A. P. Kalganov poses with his son and granddaughter for a portrait in the industrial town of Zlatoust in the Ural Mountain region of Russia. The son and granddaughter are employed at the Zlatoust Arms Plant--a major supplier of armaments to the Russian military since the early 1800s. Kalganov displays traditional Russian dress and beard styles, while the two younger generations have more Westernized, modern dress and hair styles.  Wearing traditional dress and headgear, a Turkmen camel driver poses with his camel, laden with what is most likely grain or cotton. Camel caravans remained the most common means of transporting food, raw materials, and manufactured goods in Central Asia well into the railroad era.  This photo shows the interior of a tea packaging and weighing operation located at the Chakva tea farm and processing plant just north of Batumi, close to the Black Sea coast in what is now the Republic of Georgia. The Chakva farm and plant was one of the major suppliers of tea to all parts of the Russian Empire.  Dressed in traditional Central Asian attire, a vendor of locally grown melons poses at his stand in the marketplace of Samarkand in present-day Uzbekistan  A merchant at the Samarkand market displays colorful silk, cotton, and wool fabrics as well as a few traditional carpets. A framed page of the Koran hangs at the top of the stall.  Shown here is the interior of a textile mill that produces thread from locally grown cotton. The location, though unidentified, is most likely in Tashkent which is known for textile production. Because of the warm, dry climate, Central Asia--and particularly Uzbekistan--was an ideal location for growing and processing cotton for the entire empire.  Founded in 1747, the Kasli Iron Works, was located in the heart of the Ural Mountains between the cities of Ekaterinburg and Cheliabinsk--a region rich in iron ore. The plant was known for the high quality of its cast iron products and for its highly-skilled work force, which numbered over three thousand persons at the time this photograph was taken.  Workers, identified by Prokudin-Gorskii as Greeks, pose while harvesting tea from plants spreading over rolling hills near Chakva, on the east coast of the Black Sea. This region of the Russian Empire, in present day Ukraine, Moldova, and Georgia, had a significant Greek minority, some families going back many centuries to the Classical and Byzantine eras.  The moderate, Mediterranean-like climate of the Black Sea region allowed cultivation of crops that would not grow in most parts of the empire, such as tea and cotton. Sukhumi, on the east coast of the Black Sea in what is now the northwestern part of the Republic of Georgia, had an important botanical garden and experimentation station. Shown here is a stand of cotton plants at the Sukhumi Botanical Gardens.  The Ural Mountain region is noted for the richness of its iron deposits and ores. The Bakaly hills, in the area outside the city of Ekaterinburg, provide the locale for a small-scale family mining operation.  a Sluice Dam Workers and supervisors pause for a photograph amid preparations for pouring cement foundations for a sluice dam across the Oka River southeast of Moscow, near the small town of Dedinovo.  In a photograph taken near Samarkand, an old man, probably an ethnic Tajik, holds birds he has just caught. Samarkand and its region were noted for wide diversity in ethnic groups, including Uzbeks, Tajiks, Persians, and Arabs as well as the more recently arrived Russians.  Monks wearing traditional habits plant potatoes in fields reclaimed from the dense conifer forest at the Gethsemane Hermitage on Lake Seliger near the headwaters of the Volga River.  An early autumn scene from 1909 shows farmers taking a short break from their work to pose for their photograph. The location, though unidentified, is probably near the town of Cherepovets in north central European Russia.  Borzhomi is a small town in the Caucasus Mountains in the interior of what is now the Republic of Georgia. Noted for its mineral waters, it was a fashionable spa at the end of the nineteenth century. Shown here are elegantly dressed visitors posing for a photograph by the Ekaterinin, ("Catherine’s") Spring.  |
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[1622 楼] 亚瑟李
[资深泡菜]
13-9-19 14:20
Photo by Prokudin-Gorskii (1863-1944) - From Moscow, Russia
------------------------------------------------------------------------------------------------ Russian Peasant Girls Young Russian peasant women offer berries to visitors to their izba, a traditional wooden house, in a rural area along the Sheksna River near the small town of Kirillov.  The Emir of Bukhara, Alim Khan (1880-1944), poses solemnly for his portrait, taken in 1911 shortly after his accession. As ruler of an autonomous city-state in Islamic Central Asia, the Emir presided over the internal affairs of his emirate as absolute monarch, although since the mid-1800s Bukhara had been a vassal state of the Russian Empire. With the establishment of Soviet power in Bukhara in 1920, the Emir fled to Afghanistan where he died in 1944.  Many Central Asiatic peoples, for example the Kirghiz, Kazakhs, and Uzbeks, lived nomadic lives on the steppes, valleys, and deserts, migrating seasonally from one place to another as opportunities for obtaining food, water, and shelter changed. Shown here is a young Kazakh family in colorful traditional dress moving across the Golodnaia (or "Hungry") steppe in present-day Uzbekistan and Kazakhstan.  Samarkand, an ancient commercial, intellectual, and spiritual center on the Silk Road from Europe to China, developed a remarkably diverse population, including Tajiks, Persians, Uzbeks, Arabs, Jews, and Russians. Samarkand, and all of West Turkestan, was incorporated into the Russian Empire in the middle of the nineteenth century and has retained its ethnic diversity up to the present. Prokudin-Gorskii captures here a group of Jewish boys, in traditional dress, studying with their teacher.  In this portrait, Prokudin-Gorksii captures the traditional dress, jewelry, and hairstyle of an Uzbek woman standing on a richly decorated carpet at the entrance to a yurt, a portable tent used for housing by the nomadic peoples of Central Asia. After conquering Turkestan in the mid 1800s, the Russian government exerted strong pressure on the nomadic peoples to adopt a sedentary lifestyle and settle permanently in villages, towns, and cities.  Five inmates stare out from a zindan, a traditional Central Asian prison--in essence a pit in the earth with a low structure built on top. The guard, with Russian rifle and bayonet, is attired in Russian-style uniform and boots.  A couple in traditional dress poses for a portrait in the mountainous interior region of Gunib on the north slope of the Caucasus Mountains in what is today the Dagestan Republic of the Russian Federation.  Dagestan, meaning "land of mountains" in the Turkic languages, contains a population consisting of many nationalities, including Avars, Lezgi, Noghay, Kumuck, and Tabasarans. Pictured here is a Sunni Muslim man of undetermined nationality wearing traditional dress and headgear, with a sheathed dagger at his side.  Children sit on the side of a hill near a church and bell-tower in the countryside near White Lake, in the north of European Russia.  Ethnic Russian settlers to the Mugan Steppe region, south of the Caucasus Mountains and west of the Caspian Sea, established a small settlement named Grafovka. The region is immediately north of the border with Persia. Settlement of Russians in non-European parts of the empire, and particularly in border regions, was encouraged by official government policy and accounts for much of the Russian migration to Siberia, the Far East, and the Caucasus regions.  Prokudin-Gorskii and others ride the Murmansk Railroad in a handcar along the shores of Lake Onega near Petrozavodsk. From the beginning of Russian railroad construction in the 1850s, rails were laid using a wider gauge (5 feet 3.5 inches) than the standard European one.  84 Years Old Pinkhus Karlinskii, the supervisor of the Chernigov floodgate, stands by a ferry dock along the Mariinskii Canal system in the northern part of European Russia. In the photo album of his tour of the canal system, Prokudin-Gorskii noted that Karlinskii was eighty-four years old and had served for sixty-six years. The canal system, known today as the Volga-Baltic Waterway, was constructed to link the extensive river system of the Volga and its tributaries to provide access from the interior of European Russia to the Baltic Sea.  At an unidentified location, a railroad truss bridge built on stone support columns crosses one of the wide Siberian rivers that flow northwards to the Arctic Ocean--possibly the Irtysh or the Tobol. The rivers were only one of the natural barriers that the builders of the Trans-Siberian Railroad had to conquer in the feat of constructing a railroad over 6,000 miles, from central European Russia eastward to the Pacific Ocean.  A variety of canal boats and barges, large and small, are evident at a boat yard at a sheltered inlet off the southwest shore of Lake Onega on the Mariinskii canal system near the small town of Voznesenie in the north of European Russia.  Logs fastened together as rafts make their way down the Peter I Canal near the small town of Shlisselburg, now called Petrokrepost’. Located on Lake Ladoga, the town is forty miles east of St. Petersburg.  A "Compound" locomotive with a Schmidt boiler is shown on the railroad between Perm’ and Ekaterinburg in the Ural Mountain region in the far eastern part of European Russia. The rail car in the background is thought to be Prokudin-Gorskii’s traveling photographic laboratory and living quarters.  A stone bridge carries the canal towpath over two culverts to divert high water away from the main canal on a quiet stretch between Lakes Ladoga and Onega near the village of Lava.  |
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[1621 楼] 亚瑟李
[资深泡菜]
13-9-19 14:06
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Tchaikovsky: The Seasons - June: Barcarolle - Mikhail Pletnev ~~~~~~~~~~~~~~~~~~~~ |
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[1620 楼] 亚瑟李
[资深泡菜]
13-9-19 13:50
俄羅斯攝影大師 Prokudin-Gorskii用传统黑白胶片拍的红/绿/蓝三分色片合成彩照独具一格,100年前的“X3 CCD”很通透，就是紫边有点严重，彩卷都是这么干的，三层彩色染料，X3也是这么干的，不过拜耳滤镜马赛克显得异类了，比如目前99%的数码相机都是拜耳滤镜马赛克+低通，3CCD的摄像机中的3CCD原理也是这样的，一点也不雷人，可这对黑白胶片爱好者或许是个很好的启示，即同景分别拍摄红/绿/蓝三张分色片（负片），经电分数字化后，PS负转正，再分别对应加上与上述滤镜同密度/光谱范围的3单色，然后精确重叠，即成一张优质的彩色照片了，这意味着不必依赖店冲而使用那昂贵的劳什子---彩色胶片了，大家只需用好黑白胶片，就能自力更生地拍彩照，具有一定的现实意义。
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[1619 楼] 亚瑟李
[资深泡菜]
13-9-19 13:47
Photo by Prokudin-Gorskii (1863-1944) - From Moscow, Russia
------------------------------------------------------------------------------------------------ Study of a Stork’s Nest A stork, traditionally a symbol of good luck among the Turkic peoples, sits in her nest at the top of a palace wall in Bukhara in Central Asia.  This photograph of the interior of the Church of the Nativity of the Virgin Mary in Smolensk shows the icon screen that in an Orthodox church separates the altar area from the congregation. At the right is a special shrine for the miracle-working icon known as "Odigitria," traditionally associated with the city of Smolensk.  The Church of St. Dmitrii, built in the 1190s in the town of Vladimir, east of Moscow in central European Russia, illustrates the verticality common to early Russian church architecture. This church served as the model for the Cathedral of St. Nicholas of the Orthodox Church of America on Massachusetts Avenue, in Washington, D.C.  The Solovetskii Monastery, founded in the early fifteenth century on an island in the White Sea in the far north of European Russia, was for centuries one of the most important monastic and cultural institutions in Russia. The thick walls shown in this photo protected the monastery from foreign invaders on several occasions. The monastery was partially destroyed in the early Soviet period and became the site of the first major concentration camp of the Gulag system. In the post-Soviet era it was returned to the Orthodox Church and is once again a functioning monastery.  Russian churches featured exterior and interior decoration in the forms of mosaics, frescoes, and carvings, often in brilliant colors. The Church of the Resurrection in Kostroma in the northern part of European Russia was built in the 1650s and demonstrates the exuberant decoration of the exterior characteristic of its period. However, in spite of the dramatic exterior, the church is noted primarily for its interior wall paintings.  The Cathedral of the Nativity of the Virgin is the oldest church building in Suzdal’. It is located in the Suzdal’ kremlin, the original walled, fortress-like part of the city. The cathedral, which dates to the twelfth century, was rebuilt many times over the years and displays the onion domes so characteristic of Russian church architecture.  The tiled columns, walls, and domes of the Shir-Dar ("Lions’ House") madrasa in Samarkand show the elaborate abstract designs and use of calligraphy typical in much of Islamic and Central Asian architecture. This madrasa, constructed 1619-1636 and in essence a Muslim theological academy and school, is part of the complex of mosques and madrasas found in Registan, the most sacred precinct of old Samarkand.  Founded around 1330, the Trinity-Ipat’ev Monastery in the old Russian Volga River city of Kostroma, northeast of Moscow, contained within its walls several old churches, including the Church of the Nativity of Virgin the shown here. Originally constructed in the sixteenth century, the church was demolished in the early Soviet period. This photograph may be the only color photograph ever taken of the church.  From the time of its founding in 1587 until the late 1800s, Tobol’sk was one of the largest and most important cities in Siberia. For several centuries Tobol’sk served as the military, administrative, and political center of Russian rule in Siberia. This panoramic view shows the Irtysh River in the foreground and the broad, flat Siberian plain beyond the central part of the city.  A dirt road leads to the brightly painted seventeenth-century Cathedral of St. Nicholas amid modest residential structures in Mozhaisk, west of Moscow.  This panoramic view of Tiflis shows the city nestled in a valley amid ridges in the Caucasus Mountains. The city today is Tbilisi, the capital of the now independent Republic of Georgia. At the time this photograph was taken, around 1910, the city had a multinational population of 160,000, including Georgians, Armenians, Russians, Persians, Poles, Tatars, and Jews.  The Likany foothills of the Caucasus Mountains provide a dramatic backdrop for a palace built on the Kura River, close to the Russian border with Turkey and near the town of Borzhomi in present-day Georgia.  In the settlement of Viazovaia, along the Trans-Siberian mainline in the Ural Mountain region, wooden storage facilities for hay and food crops are photographed against the background of a dense pine forest.  A dirt road passing over a stone bridge leads to the small town of Kolchedan in the Ural Mountains, southeast of Ekaterinburg. Originally founded in 1673 as a frontier stockade, by the time this photo was taken in 1912, the town was a center for sandstone mining and processing and had two substantial stone church buildings, including a convent with a school.  Stone churches, wooden houses, and a small bridge over the Kamenka River are photographed at the edge of the ancient Russian town of Suzdal’, northeast of Moscow. Once an important and powerful principality, Suzdal’ declined as Moscow rose in prominence and consolidated control over several principalities in central European Russia.  |
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[1618 楼] 亚瑟李
[资深泡菜]
13-9-19 13:11
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伏尔加船夫曲 - 原苏联红军歌舞团,俄罗斯亚历山大红旗歌舞团合唱团演唱 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 本帖最后由 亚瑟李 于 2013-9-19 13:12 编辑 |
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[1617 楼] 亚瑟李
[资深泡菜]
13-9-19 13:02
Photo by Prokudin-Gorskii (1863-1944) - From Moscow, Russia
------------------------------------------------------------------------------------------------ Date taken: 1905  Date taken: 1910  Date taken: 1910  Date taken: 1905 - 1915  A Chinese foreman poses with established tea plants and new plantings at a tea farm and processing plant in Chakva, a small town just north of Batumi. The semi-tropical climate of the Black Sea coast in modern-day Georgia was ideal for growing tea. Date taken: 1907 - 1915  Sergei Mikhailovich Prokudin-Gorskii (1863-1944) poses near a mountain stream, thought to be the Karolitskhali River in the Caucasus Mountains near the seaport of Batumi on the eastern coast of the Black Sea.  Sergei Mikhailovich Prokudin-Gorskii and members of his photographic team are shown here at their overnight campground. The site is near the Chusovaia River, on the western side of the Ural Mountains which divide Europe from Asia.  In the early years of the First World War, Prokudin-Gorskii photographed a group of prisoners of war from the Austro-Hungarian Empire. The men are probably Poles, Ukrainians, and members of other Slavic nationalities, imprisoned at an unidentified location in the far north of European Russia near the White Sea. This image escaped being confiscated by border guards--the fate of the vast majority of politically sensitive images--when Prokudin-Gorskii left Russia for good in 1918--probably because what is being represented is not immediately obvious.  Shown here is one of the thousands of glass plate negatives made by Prokudin-Gorskii. The negatives served two purposes. Primarily they were used to produce positive glass slides for his illustrated lectures about the Russian Empire. Prokudin-Gorskii projected the slides through the red, green, and blue filters of a device known as a "magic lantern" which superimposed the images onto a screen resulting in a full-color picture. Secondly, Prokudin-Gorskii used the negatives to print reference photographs of his journeys which were mounted in albums.  Prokudin-Gorskii created albums to serve as photographic records of his trips across the Russian Empire. Each album is composed of contact prints--created from his glass plate negatives--which were mounted in the order in which he traveled. The album page shown here was created in 1915 during his last known documentary trip.  |
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[1616 楼] 亚瑟李
[资深泡菜]
13-9-19 12:31
Photos by Ria de Heij - From Netherlands
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[1615 楼] 亚瑟李
[资深泡菜]
13-9-19 01:02
没有了,粮票用尽,哈哈~~,晚安再会各位!.
~~~~~~~~~~~~~~~~~~~~~~~ Transparente - Fado Tordo - Mariza ~~~~~~~~~~~~~~~~~~~~~~~ |
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[1614 楼] 亚瑟李
[资深泡菜]
13-9-18 23:56
A model shows off a Christian Dior coctail dress called "Margrave."
Date taken: November 1947 Photographer: Frank Scherschel Size: 1017 x 1280 pixels (14.1 x 17.8 inches)  |
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[1613 楼] 亚瑟李
[资深泡菜]
13-9-18 23:28
A view of the Grand Canyon National Park.
Location: AZ, US Date taken: October 1946 Photographer: Frank Scherschel Size: 1280 x 982 pixels (17.8 x 13.6 inches)  |
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[1612 楼] 亚瑟李
[资深泡菜]
13-9-18 22:22
谁来说说下图,Photographer: Frank Scherschel为什么要使用并联双禄来福来克斯?,拍立体照?.
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[1611 楼] 亚瑟李
[资深泡菜]
13-9-18 22:17
Brigitte Bardot Uncovers For Cover
Photographer: Frank Scherschel Size: 858 x 1280 pixels (11.9 x 17.8 inches)  |
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[1610 楼] 亚瑟李
[资深泡菜]
13-9-18 20:11
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Breathe - Bamboo - Nicholas Gunn Thirty-One Nights - Fiesta Patria - Nicholas Gunn ~~~~~~~~~~~~~~~~~~~~~~~~~~~ 粮票即将告罄,晚上好诸位!. |
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[1609 楼] 亚瑟李
[资深泡菜]
13-9-18 19:59
45格拉灰拍的
Girl Model - Cover Tries Date taken: 1953 Photographer: Frank Scherschel Size: 1002 x 1280 pixels (13.9 x 17.8 inches)  |
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[1608 楼] 亚瑟李
[资深泡菜]
13-9-17 19:51
如此看来,这个离机闪是拍摄写实人物的利器,无论是胶片还是数码时代,拍摄人物打灯用光都是必要的手段,希引起各位同好的足够重视,晚上好诸位!.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Thirty-One Nights - Veracruz - Nicholas Gunn ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ |
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[1607 楼] 亚瑟李
[资深泡菜]
13-9-17 19:45
Joe Mccarthy
Date taken: November 27, 1978 Photographer: Carl Mydans Size: 827 x 1280 pixels (11.5 x 17.8 inches)  |