#辉煌的80s - 聊聊八零年代的欧美音乐（Season 2）
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[918 楼] crowspal
[陈年泡菜]
10-11-21 15:00
那段时间的女歌手里我个人比较欣赏的是Joan Osborne还有Jewel.
[flash]http://player.youku.com/player.php/Type/Folder/Fid/2300176/Ob/1/Pt/9/sid/XMTg0MzIzMjg=/v.swf[/flash] Joan Osborne - One of us |
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[917 楼] crowspal
[陈年泡菜]
10-11-21 14:52
这首歌当年听得时候觉得一般，现在感觉还蛮好的。 不过自95年这张专辑后，好像Alanis在乐坛就处于不愠不火的状态了。
[flash]http://player.youku.com/player.php/sid/XMTM2NDY5MjQ=/v.swf[/flash] Alanis Morissette－Ironic <Jagged Little Pill> 1995 [crowspal 编辑于 2010-11-21 14:52] |
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[916 楼] crowspal
[陈年泡菜]
10-11-20 22:25
原文由 辘轳仙影 在2010-11-19 23:02发表 嗓子非常好。 |
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[915 楼] crowspal
[陈年泡菜]
10-11-20 13:08
原文由 crowspal 在2010-11-20 12:45发表 搞错了老刀，前些天发给你的短信，现在记忆力真是不好了，呵呵。 |
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[914 楼] crowspal
[陈年泡菜]
10-11-20 12:45
原文由 老刀 在2010-11-20 09:11发表 TMD我5年前给你的站内短信你昨天才发现，这个太不可思议了，呵呵。 对了，轱辘和Neon也站内短信留个邮件给我吧，以后万一哪天不上无忌了还能联系。 |
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[913 楼] 辘轳仙影
[资深泡菜]
10-11-20 11:52
原文由 老刀 在2010-11-20 09:23发表 尤二，这个无比强大啊！  |
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[912 楼] 老刀
[资深泡菜]
10-11-20 09:23
原文由 辘轳仙影 在2010-11-19 06:32发表 还有更雷的：约翰李娜，伊格尔斯，尤二，伊基波普，王海伦.......绝对不是我杜撰的，都是从各式各样的出版物上发现的，中文真的很强大。 去年开车从伯明翰回伦敦的路上，在Milton Keynes的街上看到中文小广告，上书“仓库转让，位于米顿坚斯......” 设想一下所有中文经济学书籍把“凯恩斯”替换成“坚斯”那该有多牛逼。 |
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[911 楼] 老刀
[资深泡菜]
10-11-20 09:11
原文由 crowspal 在2010-11-19 21:15发表 昨天才发现短信，给你发邮件了，呵呵，不好意思。 |
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[910 楼] 辘轳仙影
[资深泡菜]
10-11-19 23:03
原文由 crowspal 在2010-11-19 21:15发表 你接着来滚石LLM，我接着来爱尔兰花姑娘。 |
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[909 楼] 辘轳仙影
[资深泡菜]
10-11-19 23:02
我在第一季应该贴过原唱的。这首是翻唱，就是楼上出现过的爱尔兰新晋乐队Celtic Woman。我认为，就本曲演绎来说，已超原唱。
[flash]http://player.youku.com/player.php/sid/XMTYwODc0NjI0/v.swf[/flash] Celtic Woman May It Be (live) |
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[908 楼] crowspal
[陈年泡菜]
10-11-19 21:24
这个更接近原唱片。
[flash]http://player.56.com/v_MzcwODA4NDE.swf[/flash] |
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[907 楼] crowspal
[陈年泡菜]
10-11-19 21:15
[flash]http://player.youku.com/player.php/sid/XNTU2MTU3MjA=/v.swf[/flash]
The rolling stones - Fool to cry <Black and Blue> 1976 |
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[906 楼] crowspal
[陈年泡菜]
10-11-19 21:13
对这张专辑的评论比较混乱，但还是有几首相当棒的歌。
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[905 楼] 辘轳仙影
[资深泡菜]
10-11-19 14:32
原文由 老刀 在2010-11-19 10:50发表 真够雷。  |
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[904 楼] crowspal
[陈年泡菜]
10-11-19 11:12
老李？ 这翻译其实挺好，呵呵。
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[903 楼] 老刀
[资深泡菜]
10-11-19 10:50
Lou Reed的《Sweet Jane》
见过对Lou Reed最雷人的翻译是：老李 [flash]http://player.youku.com/player.php/sid/XMjQxODQ2NDQ=/v.swf[/flash] |
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[902 楼] 老刀
[资深泡菜]
10-11-19 10:44
Lynyrd Skynyrd的《Sweet Home Alabama》
[flash]http://www.tudou.com/v/yCrrZsyQUh4/v.swf[/flash] |
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[901 楼] crowspal
[陈年泡菜]
10-11-18 23:37
多美的老歌啊。
[flash]http://player.youku.com/player.php/sid/XMTk1NjAzMjA4/v.swf[/flash] Cutting Crew - I've Been In Love Before |
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[900 楼] crowspal
[陈年泡菜]
10-11-18 22:45
原文由 辘轳仙影 在2010-11-18 22:38发表 这都很多年没听过了。 |
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[899 楼] 辘轳仙影
[资深泡菜]
10-11-18 22:38
原文由 crowspal 在2010-11-18 22:24发表 你丫好玩意还真不少。  |
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[898 楼] crowspal
[陈年泡菜]
10-11-18 22:33
我发现我烟是抽太多，每张片子指甲都是黄的，呵呵。
[crowspal 编辑于 2010-11-18 22:33] |
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[897 楼] crowspal
[陈年泡菜]
10-11-18 22:24
这张倒是一张杰作。
 Exile on Main St. is the tenth British and twelfth American studio album by The Rolling Stones. Released as a double LP in May 1972, it draws on many genres including rock & roll, blues, country and soul and calypso. Exile on Main St. was initially greeted with mixed reviews, but it has since become almost universally regarded as a masterpiece. In 2003, the album was ranked number 7 on Rolling Stone magazine's list of the 500 greatest albums of all time. Recording Exile on Main St. is an album composed of songs written and recorded between 1968 and 1972. Of the earlier songs, the band's singer Mick Jagger said in 2003, "After we got out of our contract with Allen Klein, we didn't want to give him [those earlier tracks]," as they were forced to do with the songs "Brown Sugar" and "Wild Horses" from Sticky Fingers. Most were recorded between 1969 and 1971 at Olympic Studios and Jagger's Stargroves country house in England during sessions for Sticky Fingers. By the spring of 1971, the Rolling Stones, who owed more taxes than they could pay, left England before the government would seize their assets. Mick Jagger settled in Paris with his new bride Bianca, and guitarist Keith Richards rented a luxurious villa, Nellcôte, in Villefranche-sur-Mer, near Nice. The other members settled in various places in the south of France. After unsuccessfully looking for a recording studio in France that would be suitable for the next Rolling Stones album, it was decided they would record at Nellcôte using the band's remote recording truck brought in from England. Preceded by the UK and US Top 10 hit "Tumbling Dice", Exile on Main St. was released in May 1972. It was an immediate commercial success, reaching #1 worldwide just as the band embarked on their celebrated 1972 American Tour. Their first American tour in three years, it featured many songs from the new album. "Happy", sung by Richards, would be a Top 30 US hit later that summer. Many critics judged Exile on Main St. to be a ragged and impenetrable record at the time of its release. Lenny Kaye, writing in Rolling Stone magazine, was typical of contemporary critics who did not consider the album as anything special.[14] According to Kaye, "[t]here are songs that are better, there are songs that are worse, and others you'll probably lift the needle for when the time is due." Kaye concludes by assuring his readers that "the great Stones album of their mature period is yet to come". On the initial critical and commercial reaction, Richards said, "When [Exile] came out it didn't sell particularly well at the beginning, and it was also pretty much universally panned. But within a few years the people who had written the reviews saying it was a piece of crap were extolling it as the best frigging album in the world." Other critics praised the album's rawness and different styles, from blues to country to soul. The music critic Robert Christgau concluded in 1972: "Incontrovertibly the year’s best, this fagged-out masterpiece is the summum of Rock ’72. Exile explores new depths of record-studio murk, burying Mick's voice under layers of cynicism, angst, and ennui." In 1994 Exile on Main St. was remastered and reissued by Virgin Records. The original double album contained 12 black-and-white postcards featuring the Rolling Stones in the company of two unidentified women. Band appraisal At the time of Exile's release, Jagger said, "This new album is fucking mad. There's so many different tracks. It's very rock & roll, you know. I didn't want it to be like that. I'm the more experimental person in the group, you see I like to experiment. Not go over the same thing over and over. Since I've left England, I've had this thing I've wanted to do. I'm not against rock & roll, but I really want to experiment. The new album's very rock & roll and it's good. I mean, I'm very bored with rock & roll. The revival. Everyone knows what their roots are, but you've got to explore everywhere. You've got to explore the sky too." In 2003, Jagger said, "Exile is not one of my favourite albums, although I think the record does have a particular feeling. I'm not too sure how great the songs are, but put together it's a nice piece. However, when I listen to Exile it has some of the worst mixes I've ever heard. I'd love to remix the record, not just because of the vocals, but because generally I think it sounds lousy. At the time Jimmy Miller was not functioning properly. I had to finish the whole record myself, because otherwise there were just these drunks and junkies. Of course I'm ultimately responsible for it, but it's really not good and there's no concerted effort or intention." Jagger also stated he did not understand the praise amongst Rolling Stones' fans because the album did not yield very many hits.[According to the Rolling Stones, the Rolling Stones, Chronicle Books, October 2003.] Of the album, Richards said, "Exile was a double album. And because it's a double album you're going to be hitting different areas, including 'D for Down', and the Stones really felt like exiles. We didn't start off intending to make a double album; we just went down to the south of France to make an album and by the time we'd finished we said, 'We want to put it all out.' The point is that the Stones had reached a point where we no longer had to do what we were told to do. Around the time Andrew Oldham left us, we'd done our time, things were changing and I was no longer interested in hitting Number One in the charts every time. What I want to do is good shit—if it's good they'll get it some time down the road." Accolades and cultural references In 1998 Q magazine readers voted Exile on Main St. the 42nd greatest album of all time, while in 2000 the same magazine placed it at number 3 in its list of the 100 Greatest British Albums Ever. In 1987 it was ranked #3 on Rolling Stone magazine's list of the greatest 100 albums of the period 1967-1987. In 1993, Entertainment Weekly named it #1 on their list of "100 Greatest CDs". In 2003, Pitchfork Media ranked it number eleven on their Top 100 Albums of the 1970s. In 2001, the TV network VH1 placed it at number 22 on their best albums survey. The album was ranked number 19 on the October 2006 issue of Guitar World magazine's list of the greatest 100 guitar albums of all time[citation needed].In 2007, the National Association of Recording Merchandisers (NARM) and the Rock and Roll Hall of Fame placed the album #6 on the "Definitive 200" list of albums that "every music lover should own." The album and its title has frequently been referred to by other bands in their own album titles. For example, the British acid house group Alabama 3 titled its debut album Exile on Coldharbour Lane. Perhaps the most notable reference comes from indie singer/songwriter Liz Phair's debut album Exile in Guyville. Phair herself claims the album to be a direct song-by-song "response" of sorts to Exile on Main St. Confrontational garage-trash noise-rock band Pussy Galore released a complete cover of the album that reflected their own personal and musical interpretations of the songs, as opposed to paying tribute to the original sound. Post-grunge band Matchbox Twenty paid homage to this album by titling their 2007 retrospective Exile on Mainstream. Industrial Rock band Chemlab named the leading track from their album East Side Militia, "Exile on Mainline", in reference to the Rolling Stones album. The Departed, a 2006 film by Martin Scorsese, features a scene in which Bill Costigan mails Madelyn Madden an Exile on Main St. jewel case containing an incriminating recording of Colin Sullivan conspiring with crime boss Frank Costello. On 31 October 2009, American rock band Phish covered Exile on Main St. in its entirety as the "musical costume" for their Halloween show in Indio, California. It is currently the highest ranking album on metacritic.com along with "London Calling" by The Clash with a 100% approval rate. [crowspal 编辑于 2010-11-18 22:27] |
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[896 楼] crowspal
[陈年泡菜]
10-11-18 22:17
[flash]http://player.youku.com/player.php/sid/XMTA0MDY0ODc2/v.swf[/flash]
The rolling stones - Tumbling dice <Exile on the main street> 1972 |
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[895 楼] crowspal
[陈年泡菜]
10-11-18 22:13
刚打完羽毛回来，舒服。
是，轱辘你说得也对，如果John没死，他可能也成management guru了，呵呵。 这首歌很不错。 |
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[894 楼] 辘轳仙影
[资深泡菜]
10-11-18 21:32
原文由 crowspal 在2010-11-17 23:27发表 嗨，年轻的时候谁TM没理想？ [flash]http://player.youku.com/player.php/sid/XNTg4NDg2MDg=/v.swf[/flash] Celtic Women Orinoco Flow (Live) |
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[893 楼] crowspal
[陈年泡菜]
10-11-17 23:27
原文由 辘轳仙影 在2010-11-17 20:08发表 john不一样的人，他很理想主义。 |
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[892 楼] 辘轳仙影
[资深泡菜]
10-11-17 20:12
我日，allmusic又被封了。这个该遭天谴的※※！
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[891 楼] 辘轳仙影
[资深泡菜]
10-11-17 20:08
原文由 crowspal 在2010-11-16 22:35发表 John要是能活到现在，不知道是神马样子？ [flash]http://player.youku.com/player.php/sid/XMTc5Ng==/v.swf[/flash] John Lennon Imagine |
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[890 楼] crowspal
[陈年泡菜]
10-11-16 22:45
原文由 辘轳仙影 在2010-11-16 22:36发表 |
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[889 楼] crowspal
[陈年泡菜]
10-11-16 22:42
这些唱片都有霉点了，很多年不再听。但和唱片有关的有些典故今天才查到，也挺开心。
 The album cover for Some Girls was designed by Peter Corriston, who would design the next three album covers as well. An elaborate die-cut design, with colors varying on different sleeves, it featured The Rolling Stones in garish drag alongside select female celebrities and lingerie ads. The cover immediately ran into trouble when Lucille Ball, Farrah Fawcett, Liza Minnelli (representing her mother Judy Garland), Raquel Welch, and the estate of Marilyn Monroe threatened legal action. It was withdrawn and the women's likenesses removed. Jagger later apologized to Minnelli when he encountered her during a party at the infamous discothèque Studio 54. The revised cover removed all the celebrities whether they had complained or not, and were replaced with black and punk style garish colors with the phrase PARDON OUR APPEARANCE - COVER UNDER RE-CONSTRUCTION. There also existed a third version of the album cover with hand-drawn women. Release and legacy In May 1978, the first single from the album, "Miss You", a prowling, moody number built on a stripped-down disco beat and bluesy pop harmonies, was released to very strong response, garnering The Rolling Stones their last US #1 hit and reaching #3 in the UK. Some Girls appeared in June to a very welcoming audience, reaching #1 in the US and #2 in the UK, becoming their biggest-selling studio album in the process (currently certified six times platinum in the US alone). It was also a major critical success, with many reviewers calling it a classic return to form, and their best album since 1972's Exile on Main St. "Beast of Burden", "Respectable" (in the UK) and "Shattered" (in the US) would follow as the next singles, all becoming minor hits as well. The Stones embarked on their summer US Tour 1978 in support of the album, which for the first time saw them mount several small venue shows, sometimes under a pseudonym. In 1986, the first Compact Disc version of the album was issued by the Stones new label distributor, Columbia Records as Rolling Stones/Columbia CK-40449. In 1994, Some Girls was remastered and reissued on CD by Virgin Records, with a partial restoration of the original cover art and the first pressing being packaged in a replica of the original vinyl packaging. In 2003, the album was ranked number 269 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 2009, Some Girls was remastered and reissued on CD by Universal Music, restoring the original color scheme of the cover. |