也問一聲
這裹只可發黑白片的嗎?

不小心發現這毒帖
南山對面的香港友也上圖支持一下

Egyptian soldier sitting at guart post.
Location: Egypt
Date taken: October 1947
Photographer: Eliot Elisofon
Size: 1012 x 1280 pixels (14.1 x 17.8 inches)

Bedouin women carrying jars on their heads.
Location: Egypt
Date taken: October 1947
Photographer: Eliot Elisofon
Size: 1017 x 1280 pixels (14.1 x 17.8 inches)

Arab boy riding a water buffalo.
Location: Egypt
Date taken: October 1947
Photographer: Eliot Elisofon
Size: 1280 x 1006 pixels (17.8 x 14.0 inches)

Egyptian man riding a camel.
Location: Egypt
Date taken: October 1947
Photographer: Eliot Elisofon
Size: 1083 x 1280 pixels (15.0 x 17.8 inches)

Tents sitting in desert are the camp of nomadic Bedouins.
Location: Saqqara, Egypt
Date taken: October 1947
Photographer: Eliot Elisofon
Size: 1280 x 1033 pixels (17.8 x 14.3 inches)

Farmer working in wheat fields near Luxor.
Location: Egypt
Date taken: September 1947
Photographer: Eliot Elisofon
Size: 969 x 1280 pixels (13.5 x 17.8 inches)

Rice farmers working near delta of the Nile.
Location: Egypt
Date taken: October 1947
Photographer: Eliot Elisofon
Size: 1280 x 1011 pixels (17.8 x 14.0 inches)

Portrait of the Sultan of Morocco Mohamed Ben Youssef.
Location: Morocco
Date taken: 1943
Photographer: Eliot Elisofon
Size: 1157 x 1280 pixels (16.1 x 17.8 inches)

Moroccan royal guardsman riding on a horse.
Location: Morocco
Date taken: 1943
Photographer: Eliot Elisofon
Size: 1280 x 1239 pixels (17.8 x 17.2 inches)

Sultan's guard riding on horses.
Location: Morocco
Date taken: 1943
Photographer: Eliot Elisofon
Size: 1137 x 1280 pixels (15.8 x 17.8 inches)

Rear view of a member of the Sultan's guard.

Location: Morocco
Date taken: 1943
Photographer: Eliot Elisofon
Size: 1001 x 1280 pixels (13.9 x 17.8 inches)

William Goodwin taking a picture of an engine part.
Location: TX, US
Date taken: July 1958
Photographer: Eliot Elisofon
Size: 958 x 1280 pixels (13.3 x 17.8 inches)

Midland Community Theater group performing during a parade..
Location: TX, US
Date taken: July 1958
Photographer: Eliot Elisofon
Size: 1280 x 841 pixels (17.8 x 11.7 inches)

Midland Community Theater group performing.
Location: TX, US
Date taken: July 1958
Photographer: Eliot Elisofon
Size: 1280 x 856 pixels (17.8 x 11.9 inches)

Cast performing the "Drama of the Alamo" at Baylor University.
Location: TX, US
Date taken: July 1958
Photographer: Eliot Elisofon
Size: 1280 x 884 pixels (17.8 x 12.3 inches)

Baylor students rehearsing on stage.
Location: TX, US
Date taken: May 1958
Photographer: Eliot Elisofon
Size: 1280 x 841 pixels (17.8 x 11.7 inches)

Jerry Kirkland adjusts a manikan in the store.
Location: TX, US
Date taken: July 1958
Photographer: Eliot Elisofon
Size: 818 x 1280 pixels (11.4 x 17.8 inches)

Photo by Roberto Nencini - From Italy
About me
Photographically I was born in 1975 with my first camera, a Kodak Retinette that my father gave me as a gift. One day I chanced on a book about darkroom and it fascinated me, so my journey started. In 1980 my mother gave me some money for buying my first camera, a Canon AE1, but I had it stolen just a few days later. I fell in absolute despair, it was my passion and I couldn't take pictures anymore. I started to save money on everything I could and after some time I managed to buy another Canon. From that moment on I never stopped to look towards the world. My innate curiosity prompted me to try again and to stop the time fixing it in pictures. I locked me up for months in a darkroom among acids and developers to achieve what I was looking for. But it was the encounter with Fotoclub 3C of Cascina that gave me a strong boost, I met prepared people and a person that I might call my "father in photography", Silvio Barsotti. The following years were extraordinary and of great satisfactions. Then the cases of life changed the course of things, I started to shot what others wanted, blunting some of my freedom of expression. Today I have found again that passion and that fire that used to burn in me and I started to look at the soul of things and people, new colors, lights and my urge to tell have lightened up.
I try to look beyond the lens and get into the scene, without distorting reality. I just try to tell my emotions and take you around the world using my own eyes.
Have a good trip! Roberto
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Photo by Meizner - From Israel
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Aaaaaaaahhhhhhhhh...!!!!!
Pure fun mixed with horror emotions... I like the most the different expressions on the participants faces... Hope you enjoy it too.
Equipment：Canon 7d + 24-105 f/4L usm
Location：Israel

Photo by Christophe Kiciak - From Moisson, France
About me
I started photography in June 2009. At the time, I was searching for a way to express both the rigorous scientist and the creative artist in me. There are few hobbies that let these two approaches work together, so I really was enthusiastic about it: I am now spending all my free time studying various techniques, contemplating others' fantastic work, and of course, making pictures.
While some use a camera as a tool to capture a moment of life or showing the world as it is, I am mostly using it as a way to communicate ideas through carefully studied and created setups. I am not afraid of strong edits, as long as they serve a purpose: the resulting image and its impact is the most important to me, whatever the path taken to create it. Conceptual photography and surrealism is what I currently enjoy the most.
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Faith

This time, I decided to create an entry on the 'post-apocalyptic' theme. As usual, everything photographed and processed by me.

First, I had to find an idea: a dark mood was an obvious choice, but how add some interest to it? What kind of story to illustrate the destroyed environment? After some thinking, I decided to go with that man, lost in this new world, not really knowing what to do or not, what to believe or not. A man all by himself.

Then I needed an old ruined church. I created it using 3 actual churches:
1) Church of St. Ouen, Rouen, France
2) Cathedral of Rouen, France
3) Abbey of Jumieges , France

I created a composite of 1) and 2), as none of them were fitting natively in my final frame. It was an amazing experience: the churches were matching incredibly well. It is quite obvious that their architects followed similar rules and plans. In fact, that similarity help me greatly, and even perhaps permitted me to finish the project within the week. Don't get me wrong, there was still some work to do (cloning out the altar, the visitors, adjusting the colors and lighting, etc.) but the main geometrical lines were just magically matching.

Then, I of course needed to 'destroy' it. For that, I used the photos of 3), which is actually a ruined abbey. I photographed many broken walls, windows, arks, roofs, and inserted them everywhere in my main image.

At this stage, I had all the photos I needed for the main building, but the ground was much too clean. Where to find a ground full of debris? I found the answer in an old abandoned hospital, located an hour away from where I live: the Sanatorium of Aincourt. The Internet is an incredible tool to find shooting locations I must say. The hospital was in use until WW2, unfortunately also used as internment camp during that war. It was quite unbelievable to penetrate in there. Everything was destroyed, graffiti on each wall, windows all broken... and yet one was able to recognize the rooms, their functions, and imagine all the things that happened. My wife and I were walking all alone, silently, visiting the different floors: it was very impressive, and sad at the same time. What you see is the actual content of various rooms and corridors ground.

In fact, all the churches and debris photos were taken the same day, that my wife and I spent on the road (first Aincourt sanatorium, then Rouen for the 2 churches, then Jumieges for the abbey). Intense, but rewarding, and we were lucky with the weather. Good that we had our roadmap ready, or we would never had the time to photograph everything.

Finally I shot a photo of myself at home using the appropriate lighting (and wearing some very old clothes way too big for me), and processed everything together, which took about 20 hours. The light beams converge to (quite logically) one point, relatively close to the church, symbolizing a reachable hope.

Thanks a lot for watching, hope you like it!

就到这吧哈。

Children having military parade in street.
Location: Tarrytown, NY, US
Date taken: 1944
Photographer: Eliot Elisofon
Size: 993 x 1280 pixels (13.8 x 17.8 inches)

Children having military parade in street.
Location: Tarrytown, NY, US
Date taken: 1944
Photographer: Eliot Elisofon
Size: 1052 x 1280 pixels (14.6 x 17.8 inches)

Catholic nun teaching fifth grade at St. Teresa's elementary school.
Location: Tarrytown, NY, US
Date taken: 1944
Photographer: Eliot Elisofon
Size: 996 x 1280 pixels (13.8 x 17.8 inches)

Boy eating spaghetti under picture of his brother who died during invasion of Sicily.
Location: Tarrytown, NY, US
Date taken: 1944
Photographer: Eliot Elisofon
Size: 909 x 1280 pixels (12.6 x 17.8 inches)

Mother serving spaghetti to her children.
Location: Tarrytown, NY, US
Date taken: 1944
Photographer: Eliot Elisofon
Size: 933 x 1280 pixels (13.0 x 17.8 inches)

Close-up of boy carrying ice skates.
Location: Tarrytown, NY, US
Date taken: 1944
Photographer: Eliot Elisofon
Size: 1025 x 1280 pixels (14.2 x 17.8 inches)

Close-up of skaters on the ice on first day of skating.
Location: Tarrytown, NY, US
Date taken: 1944
Photographer: Eliot Elisofon
Size: 1009 x 1280 pixels (14.0 x 17.8 inches)