造船——焊接，Leica MP+M35F1.4，Delta100，D76，Nikon9000ED.

落日

造船--除锈，Rollei FX，Trix400，D76，Nikon9000ED.

这张角度要好些，遗憾的是无暗背景衬托，光影效果不太明显。

修船2，Rollei FX，Trix400，D76，Nikon9000ED.

喜欢看TRI-X电焊工，可有多角度拍？不妨多给几张好吗。

上周拍的，昨天晚上冲的

修船，Rollei FX，Trix400，D76，Nikon9000ED

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中世纪荷兰民歌：Fairy Tale - Omnia

Omnia于1996年开始在欧洲各地异※※祭典以及民谣演唱会上巡回表演，乐团最初成立时只有两人，现在乐团成员已达 14 人之多。
乐团演奏风格在开始成立的时候是以欧洲塞尔特以及哥德人的战歌为主，在2002年乐团新加入了珍妮并带来了塞尔特竖琴的音乐因素后，乐风转型为哥德人梦幻式清新民谣为演奏主轴。

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Photo by Ricky Siegers(Curator) - From Amsterdam, Netherlands
About me
Photography is a serious hobby.摄影是一种严肃的业余爱好
I do projects for companies or individuals.
Photo equipment：Canon and Contax RTS
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Cor Jaring
Cornelis Jaring was born on December 18, 1936 on one of the 'islands' of Amsterdam. Most well known is his photographie work on Provo* the Amsterdam hippie-movernent of the 1960s. But from an aesthetical and social perspective his pictures of the Amsterdam harbour are certainly more impressive. Jaring was and is a man of the street. When young he did all kinds of jobs in the harbour of Amsterdam, and assisted his father in his second~hand shop. It was in military service that Jaring first met photography. and although he is a deserving painter too, he never left photography again. He felt at home in the streets of Amsterdam, and photographed people at work, the red light district, the markets, the harbour. In 1962, the year of his first exposition, he ran into Robert Jasper Grootveld, who was to become one of the heroes of Dutch Provo. Jaring followed, covered and became famous with his photographs of the roaring sixties. His Provo-photographs are a sign of the time: dark, quick, moments of great anxiety and activity. His greatest involvement was with the movement's more playful happenings: the Insect Sect, "the Kitch-Conservatory. His political feelings were never that strong, which made it rather unproblematie for him to sell his pictures of the politically loaded actions to whoever wanted to publish them. lt is for that reason that his work and the history of Dutch Provo gained international recognition, and have become almost inseparable. In the late sixties Jaring started to travel: to the Far East, Northern Africa, the Soviet Union and large parts of Europe. His photographs differ considerably from the work on Provo. Provo was his world, he literally was always close to his subject, whereas his travel-photographs are more distanced, more reflective, the people seem further, away. With the death of Provo, Jarings work has moved definitely in the direction of documentary photography, concentrated on his Amsterdam: life in different quarters of the city, the life and work of chinese populations of Amsterdam, Carnival in the Capital. Influential magazines like Life Time, Stern, and others all over the world have covered Jaring's work. Since 1971 jaring teaches at the Enschede Academy of Art. In 1987 Christie?s Amsterdam held a sale, comprising 250 photographs of 'the Amsterdam master photographer?. Jaring is still active as a photographer. Of late he has taken to picture more of the Amsterdam harbour, and of daily life in the quarter around his home. Notwithstanding the wide variety of subjects he "covered", the travels he made, as a thread throughout his work stands his impressive and still increasing oeuvre on the Amsterdam harbour. It is in a way paradigmatic for his entire oeuvre as it is the ultimate social comment, the universal record of people and their life. It is timeless photography, of hard Work. It is encompassing in it?s aesthetic, its social and political message, and the hard, dark and clear quality of composition and content render this part of his oeuvre unforgettable. Bernie Pasveer.

Photo by Balaji Maheshwar - From chennai, India
About me
Software Engineer by profession and i have a gr8 passion towards photography.
Photo equipment：：Nikon d7000,Nikon 55-200,Tokina 11-16,Nikon 50mm
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Indian
Equipment：Nikon D5100
Location：Calcuta

Ballet Boom:Nys Theater
Dancers Jacques D'Amboise (C), Patricia McBride (L) & Suki Schorr (R) in NYCB production of "Stars & Stripes" at New York State Theater.
Location: New York, NY, US
Date taken: May 19, 1965
Photographer: Gjon Mili
Size: 1280 x 853 pixels (17.8 x 11.8 inches)

Ballet Boom:Nys Theater
Dancers Anthony Blum & Susanne Farrell (C) & others in NYCB production of "Movements" at New York State Theater.
Location: New York, NY, US
Date taken: May 19, 1965
Photographer: Gjon Mili
Size: 1280 x 853 pixels (17.8 x 11.8 inches)

Ballet Boom:Nys Theater
Dancers Arthur Mitchell & Mimi Paul in NYCB production of "Bugaku" at New York State Theater. Location: New York, NY, US
Date taken: May 19, 1965
Photographer: Gjon Mili
Size: 1280 x 853 pixels (17.8 x 11.8 inches)

N.Y. Ballet-Tanaquil Leclerc
Dancer Tanaquil LeClercq performing portion of "Bouree Fantasque" at Gjon Mili's studio.
Location: New York, NY, US
Date taken: 1951
Photographer: Gjon Mili
Size: 917 x 1280 pixels (12.7 x 17.8 inches)

Photo by Paolo Giudici - From Genova-Bolzano, Italy
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Fall
62 mm, 160 f 3.2 ISO 200
Equipment：Nikon d700+ nikkor 24-70
Location：Apennines, Italy

Photo by Paolo Giudici - From Genova-Bolzano, Italy
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The Joy of Running
Equipment：nikkon d200, 50 mm
Location：St Tropez

Photo by Paolo Giudici - From Genova-Bolzano, Italy
About me
I have loved photography, especially nature photography, since I was a child. However, budgetary constraints affected my career as a young photographer, and I went on with an old camera and a 50 mm for two decades, taking pictures only occasionally.
My true photographic tour started 12 years ago at 35, when my second son arrived and economic restraints were relaxing. I bought my first Nikon, a wide-angle and a tele-zoom and started documenting my children and family life, and the lights on the sea that I see from my window during weekends.

In the last years 1x has been my main source of inspiration. All the great photographers published here showed me where passion, artistic vision and technique can lead, and helped me to push the envelope. I like the peer-review system and have learned a lot from my rejections.

In daily life, I am a professor of business law and a practicing lawyer.

Photo equipment：Nikon d700 + various zooms. Sony Nex-5.
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Equipmentd700 - 35-70mm

Photo by Daniel Zagórski - From Poland
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Etcher

Swedish Red Cross worker Ingrid Jarnald used on cover of Life magazine.
Location: Fort Dix, NJ, US
Date taken: September 1950
Photographer: Nina Leen
Size: 1236 x 1280 pixels (17.2 x 17.8 inches)

Swedish Red Cross girl Ingrid Jarnald (R), climbing into Army pool at Fort Dix for a swim with fellow nurse Dagmar Sjostrom.
Location: Fort Dix, NJ, US
Date taken: September 1950
Photographer: Nina Leen
Size: 1280 x 976 pixels (17.8 x 13.6 inches)

Swedish Red Cross worker Ingrid Jarnald (C) on the parallel bars, wearing a WAC exercise suit, doing a flip.
Location: Fort Dix, NJ, US
Date taken: September 1950
Photographer: Nina Leen
Size: 1041 x 1280 pixels (14.5 x 17.8 inches)

Silk Shawls In Fashion
Woman with shawl draped over her head.
Location: New York, NY, US
Date taken: 1940
Photographer: Alfred Eisenstaedt
Size: 982 x 1280 pixels (13.6 x 17.8 inches)

特地挑了个带沙锤的伦巴舞曲，呵呵~~听哈好吗？。
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16 most requested songs - rhumba at the waldorf - xavier cugat
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The Stork Club
Patrons dining and dancing a rhumba to Ecita (w. maracas in the air) & her orchestra in the Stork Club dining room.
Location: New York, NY, US
Date taken: November 1944
Photographer: Alfred Eisenstaedt
Size: 1017 x 1280 pixels (14.1 x 17.8 inches)

娃娃做的的确可爱哈，但更重要的是引发了片中那位“女发明家，67项专利持有人”的某种温馨情绪呼应关系哈，给整体画面增添了内涵，平添了一份生动，呵呵~~瞎绉几句哈，不足之处，敬请列为看官，批评补正！。

看了样片，没有什么稀奇的。我的MP买了5年半了，仍然完好如新，我不知道M9之类的，能够用多少时间？数码时代，徕卡仍然将价格整的高高在上，真是死路一条！徕卡还不如学蔡司呢！

玩具娃娃的眼神、表情、手势，看起来像个真娃娃。

Russian-born dress designer Valentina lighting candles on 18th Century crystal candelabra as she prepares to host dinner party in her home.
Location: New York, NY, US
Date taken: 1944
Photographer: Alfred Eisenstaedt
Size: 1026 x 1280 pixels (14.2 x 17.8 inches)

有请星光同学来说说这张照片的观后感好吗?谢谢！。
New York Public Library
Woman inventor, holder of 67 patents, examining doll in the New York Public Library (no caps).
Location: New York, NY, US
Date taken: September 1944
Photographer: Alfred Eisenstaedt
Size: 1280 x 853 pixels (17.8 x 11.8 inches)

都说拍照是观察的艺术，可如何才能产生所谓“敏锐深入的观察”呢？，依我看，植根于自己最熟悉的环境，拍摄自己最熟悉的人物等等就是个很好的办法，因为这样，拍摄者较容易产生某种形象思维的表现欲，才有出张好片的可能。
对头！把镜头对准咱中国老百姓----自己外婆的路子没错哈,从片中可以看出，您在侧光的运用、明暗光比的掌控、眼神光、神态、肢体的摆放，环境背景元素的和谐处理等方面的把握，已经达到了人物肖像表现力的基本要求，个见，若转成黑白的效果会更强烈一些，供参考，谢谢上片！